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2010 SKETCHBOOK (60 pages, black/white/tone, print run 100 copies)


Sunday, April 29, 2007

Anatomy of a fight...scene.

I have always had a tough time with fight scenes. I am not talking about a shot of two opponents squaring off against each other; I am talking about a panel-to-panel sequence that lasts longer than a few frames.

Partially this is due to the fact that I do not practice any martial arts and that I have not been in a fight since 5th grade...maybe 4th. This really became a problem recently when I got my main character, Niko, involved in a fight that was going to last most of the issue (interwoven with other events in the storyline), I wanted something that made sense and not just a collection of shots of two toughs. I was not even sure how to begin.

I was kind of stuck until I remembered that at the fitness center, where I work out at lunch, there is a jujitsu class that is being taught every Tuesday and Thursday. I came up and introduced my self to the instructor, John Nguyen, and asked for help.

John graciously agreed and after we talked for a bit about the set-up, he started introducing some very cool ideas. Thanks to him, the fight is starting to take shape and is much more involved than just two guys duking it out. There are now different phases to the action, each involving a different element (fire, water) and it has it's own rhythm that is echoing the beats in the rest of the story.

Below is the opening sequence:

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